The 27th Biennial St Louis Symposium
March 26-29, 2026
Archiving the Sounds of German Cultures: A Century of Collection, Curation, and Creative Practice
Archiving the Sounds of German Cultures explores how the recording and documentation of sound has shaped German cultures and their narratives from the early twentieth century to the present.
Featuring the work of ground-breaking artists and leading experts on this topic from the fields of history, media studies, music, art history, and literature, this symposium examines the practice of sound archiving not only as material preservation but also as re-formation: the use of archival sound as source material and inspiration for creative practice. This symposium has four aims: (1) to rediscover quotidian and previously marginalized sound recordings of German cultures and their histories; (2) to examine the integration, recycling, and remixing of previously recorded sounds in music, sound art, film, and performance, (3) to query how archival sounds in their varied forms can disrupt the hierarchies and power structures of institutionalized practices of sound collection and curation; and lastly (4) to discuss the future of sound archival practices and the impacts of new digital infrastructures of global circulation.
Featuring:
- Emeka Ogboh (Berlin)
- Olivia Landry (Virginia Commonwealth University)
- Carolyn Birdsall (University of Amsterdam)
- Joy Calico (University of California, Los Angeles)
- Seth Howes (University of Missouri)
- Kira Thurman (University of Michigan)
- Ela Gezen (University of Massachusetts, Amherst)
- Florence Feiereisen & Erin Sassin (Middlebury College)
- Peter Davies (University of Edinburgh)
- Maria Fuchs (University of Graz)
- Hester Baer (University of Maryland)
- Claudia Breger (Columbia University)
- Lutz Koepnick (Vanderbilt University)
Teaching Gallery:
Listening to the Art of German Cultures
How does a nation define itself through art, film, and literature, and what role does sound play in shaping its cultural narratives? The complex interplay between national and cultural identity is at the core of Listening to the Art of German Cultures. This installation proposes that sound—rather than the more conventional sense of sight—is essential to interpretation, compelling audiences to listen to the stories of nationhood that the artworks on view convey.
Curated by Sarah Koellner, Assistant Professor in Comparative Literature and Thought in Arts & Sciences.
Tentative Schedule of Events
Full schedule to be announced
Thursday, March 26, 2026
Kemper Art Museum
Video Gallery, 6:00pm
A Conversation with the Artist Emeka Ogboh and Reception. Ogboh’s work has been exhibited in Europe, the U.S., and Africa, at the documenta 14, Athens and Kassel, Skulptur Projekte Münster, and Dakar Biennale.
This event is in conjunction with the exhibition Emeka Ogboh: The Song of the Germans, which runs from February 27–July 27, 2026 at the Kemper Art Museum.