Biennial Symposium

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Biennial St. Louis Symposium on German Literature and Culture

Since 1972 the Department of Comparative Literature & Thought's Program in Germanic Languages and Literatures has hosted an international symposium on German Language and Culture every other year.

Scholars from Europe and the United States, graduate students, members of the university community, and all others interested were encouraged to attend.

 

 

March 26-28, 2026

Archiving the Sounds of German Cultures: A Century of Collection, Curation, and Creative Practice

Archiving the Sounds of German Cultures explores how the recording and documentation of sound has shaped German cultures and their narratives from the early twentieth century to the present.

Featuring the work of ground-breaking artists and leading experts on this topic from the fields of history, media studies, music, art history, and literature, this symposium examines the practice of sound archiving not only as material preservation but also as re-formation: the use of archival sound as source material and inspiration for creative practice. This symposium has four aims: (1) to rediscover quotidian and previously marginalized sound recordings of German cultures and their histories; (2) to examine the integration, recycling, and remixing of previously recorded sounds in music, sound art, film, and performance, (3) to query how archival sounds in their varied forms can disrupt the hierarchies and power structures of institutionalized practices of sound collection and curation; and lastly (4) to discuss the future of sound archival practices and the impacts of new digital infrastructures of global circulation.

Featuring:

  • Emeka Ogboh (Berlin)
  • Olivia Landry (Virginia Commonwealth University)
  • Carolyn Birdsall (University of Amsterdam)
  • Joy Calico (University of California, Los Angeles)
  • Seth Howes (University of Missouri)
  • Kira Thurman (University of Michigan)
  • Ela Gezen (University of Massachusetts, Amherst)
  • Florence Feiereisen & Erin Sassin (Middlebury College)
  • Peter Davies (University of Edinburgh)
  • Maria Fuchs (University of Graz)
  • Hester Baer (University of Maryland)      
  • Claudia Breger (Columbia University)
  • Lutz Koepnick (Vanderbilt University)

 

Teaching Gallery:

Listening to the Art of German Cultures

How does a nation define itself through art, film, and literature, and what role does sound play in shaping its cultural narratives? The complex interplay between national and cultural identity is at the core of Listening to the Art of German Cultures. This installation proposes that sound—rather than the more conventional sense of sight—is essential to interpretation, compelling audiences to listen to the stories of nationhood that the artworks on view convey.

Curated by Sarah Koellner, Assistant Professor in Comparative Literature and Thought in Arts & Sciences.

Click here to register for the 27th biennial symposium

The 27th Biennial St Louis Symposium

Schedule of Events

Click here to Download pdf of symposium program

 

Thursday, March 26

Mildred Lane Kemper Art Museum
5:30 - 6:30 PM

OPENING RECEPTION AND VIEWING OF THE EXHIBITION 
Emeka Ogboh: The Song of the Germans

6:30 - 6:45 PM

WELCOME
Sarah Koellner and Caroline A. Kita, Washington University in St. Louis
Leonhard Emmerling, Director, Goethe-Institut Chicago
Sabine Eckmann, Director, Kemper Art Museum

6:45 - 8:00 PM

ARTIST CONVERSATION 
Emeka Ogboh, Sound Artist
Caroline A. Kita, Washington University in St. Louis
 

Friday, March 27

Danforth University Center, Room 276
9:30 – 9:45 AM

OPENING REMARKS
Stephanie Kirk, Director, Center for the Humanities 
Matt Erlin, Professor and Chair, Department of Comparative Literature and Thought

9:45 – 10:30 AM

SESSION 1: Sonic Interventions as Curatorial Practice 
Moderator: Lynne Tatlock, Washington University in St. Louis
Sarah Koellner, Washington University in St. Louis: “Exhibiting Listening to the Art of German Cultures: On Sonic Interventions, Curatorial Practices, and the Narration of a Nation.”

10:30 – 11:00 AM

COFFEE BREAK
Goldberg Lounge, Danforth University Center

11:00 – 12:30 PM

SESSION 2: Archiving the Sounds of Atrocity
Moderator: Corinna Treitel, Washington University in St. Louis
Florence Feiereisen & Erin Sassin, Middlebury College: “The Archive as a Portal: Auralizing the Mundane in Extraordinary Times”
Peter Davies, University of Edinburgh: “Voices in the Dark: How do Audio Dramas refer to the Holocaust?”

12:30– 1:30 PM

LUNCH BREAK

1:30-3:00 PM

SESSION 3: Sounding from the Radio Archives

Moderator: Alex Ullman, Washington University in St. Louis
Olivia Landry, Virginia Commonwealth University: “Broadcasting with an Accent: Sounds from the Fifth Wall”
Carolyn Birdsall, University of Amsterdam: “Celebrating 100 Years of Radio? Curating Diffcult (Audio) Heritage in Exhibition Spaces in Germany and Austria”

3:00 – 3:30 PM

COFFEE BREAK
Goldberg Lounge, Danforth University Center

3:30-5:00 PM

SESSION 4: Sound, Performance and the Archive
Moderator: Pat Burke, Washington University in St. Louis
Kira Thurman, University of Michigan: “The Munich Machine: Disco and the Making of a Black German Pop Star”
Ela Gezen, University of Massachusetts, Amherst: “Archived Sounds and Audiovisual Traces of Turkish Migration to West Berlin”
 

Saturday, March 28

Danforth University Center, Room 276
9:30-11:00 AM

SESSION 5: Postwar Sonic Histories
Moderator: André Fischer, Washington University in St. Louis
Joy Calico, University of California, Los Angeles: “Sounding the Archives of the Berliner Künstlerprogramm des DAAD with Joan La Barbara”
Seth Howes, University of Missouri: “Bestandsaufnahme/Aufnahmebestände: Listening to National Socialism in Three Post-Fascist 
Republics”

11:00-11:30 AM

COFFEE BREAK

11:30-1:00 PM

SESSION 6: Film Sound as Archival Practice
Moderator: Themba Mbatha, Washington University in St. Louis
Maria Fuchs, University of Graz: “Witnessing Sounds, Listening to Africa: The Forensics of Colonial Film and Its Archives”
Hester Baer, University of Maryland: “Listening in on Historical Futures: Feminist Countercinema and the Archiving of Sound”

1:00-2:00 PM

LUNCH

2:00-3:30 PM

SESSION 7: Sound, Politics, and the Environment
Moderator: Zach Feldman, Goethe-Institut New York
Claudia Breger, Columbia University: “The Sounds of Social Struggle” 
Lutz Koepnick, Vanderbilt University: “The Memory of Water: Sound, Listening and the Rights of Nature” 

3:30-4:00 PM

COFFEE BREAK

4:00- 5:00 PM

LISTENING TO THE ARCHIVE - CLOSING EVENT FOR SYMPOSIUM PARTICIPANTS
 

 

Past Symposia

NumberDatesTitleOrganizers
26September 15-16, 2023Theory as Event: Epistemic Cultures and Humanistic Knowledge Production in Germany since 1968Matt Erlin
Andre Fischer
25September 2-4, 2021Transnational Framings: The German Literary Field in the Age of NationalismLynne Tatlock
Kurt Beals
24April 5-7, 2018The Arts of Democratization: Stylizing Political Sensibilities in Postwar West GermanyJennifer Kapczynski
Caroline Kita
23March 31-April 2, 2016Knowledge in Motion: Constructing Transcultural Experience in the Medieval and Early Modern Periods (1200-1750)Gerhild Williams
Christian Schneider
22March 20-22, 2014Crossing the Disciplinary Divide: Conjunctions in German and Holocaust StudiesErin McGlothlin
Jennifer Kapczynski
21March 29-30, 2012Distant Readings/Descriptive Turns: Topologies of German Culture in the Long Nineteenth CenturyMatt Erlin
Lynne Tatlock
20March 26-28, 2010The Ethics of Literature: Contemporary German Authors, Celebrating 25 Years of the Max Kade Center of Contemporary German LiteraturePaul Michael Lützeler
Jennifer Kapczynski
19April 3-5, 2008Consuming News: Newspapers and Print Culture in Early Modern Europe (1500-1800)Gerhild Williams
William Layher
18March 30-April 1, 2006After the Digital Divide?: German Aesthetic Theory in the Age of New MediaLutz Koepnick
Erin McGlothlin
17April 3, 2004Transfer Effects: The Appropriation of German Culture in Nineteenth-Century AmericaLynne Tatlock
Matt Erlin
16April 3, 2002Between the Local and the Global: Revisiting the Sites of German CinemaStephan Schindler
Lutz Koepnick
15April 3, 2000Heinrich von Kleist's Works: Aspects of Displacement and DeracinationPaul Michael Lützeler
David Pan
14April 3, 1998The Construction of Authority in German Literature of the Medieval & Early Modern PeriodsJames Poag
Claire Baldwin
13April 4, 1996Zeitenwenden/Wendezeiten : Ein halbes Jahrhundert deutsche Literatur (1945-1995)Robert Weninger
Brigitte Rossbacher
12April 3, 1994Knowledge, Science, & Literature in Early Modern GermanyGerhild Williams
Stephan Schindler
11April 3, 1992The Graph of Sex and the German Text: Early Modern Germany 1500-1700Lynne Tatlock
Christiane Bohnert
10April 3, 1990German Literature of the 1980sPaul Michael Lützeler
John Brawner
9April 3, 1988Entzauberung der Welt: Deutsche Literatur 1200-1500James Poag
Thomas C. Fox
8April 3, 1986Literatur und Kosmos vom 15. bis zum 17. JahrhundertGerhild Williams
Lynne Tatlock
7April 3, 1984Goethes ErzählwerkPaul Michael Lützeler
James McLeod
6April 3, 1982Das Weiterleben des Mittelalters in der deutschen LiteraturJames Poag
Gerhild Williams
5April 3, 1980Deutsche Literatur in der Bundesrepublik seit 1965Paul Michael Lützeler
Egon Schwarz
4April 3, 1978Der Adel in der deutschen LiteraturPeter Uwe Hohendahl
Paul Michael Lützeler
3April 3, 1976Jews and Germans from 1860 to 1933David Bronsen
2April 3, 1974Literatur und Literaturtheorie in der DDRPeter Uwe Hohendahl
Patricia Herminghouse
1April 3, 1972Deutsche Exilliteratur 1933-1945Egon Schwarz
Peter Uwe Hohendahl